Underworld

Fotografija: Victor Frankowski

u n d e r w o r l d

Milijon muske. Nekaj smo je odbrali za tokratne DJ grafite, v katerih bomo gostili košček zvočne sedanjosti in preteklosti britanskega elektronskega dvojca Underworld, ki je z letošnjim letom vstopil v svoje štirideseto leto glasbenega ustvarjanja. Ker vsega ni mogoče zajeti, predlagamo, da si o tej legendarni zasedbi še kaj več preberete na njuni spletni strani, čeknete kak intervju, mnoge live posnetke in raznovrstne /stranske, solo/ projekte:

https://underworldlive.com/

https://underworld.bandcamp.com/

DRIFT

YT

IG, IG2

http://karlhyde.com/

http://www.tomato.co.uk/

O politiki, stari, novi glasbi, glasbeni zgodovini, lajfu, naslovih skladb.. [K. Hyde, 2019]

»Acid house, to me personally, was like the first time I had heard Tangerine Dream, the first time I had heard Hawkwind. These very long, soundscape-y, rhythm-driven, almost electronic orchestral pieces. And that’s what acid house sounded like to us, to me. It was like, 'Oh my God, this is like the fruition of all the music I ever loved as a kid.' And it’s a massive movement. And it’s underground, and yet it’s huge, it’s completely outside a culture. Revolutionary, really. Because it was self-sustaining, it didn’t need the music industry. It was pulling in tens of thousands of people. It was selling really large quantities of records, and yet, it wasn’t even showing up in the charts. It was fantastic.« [K. Hyde, 2016]